I had no idea what would happen 공짜만화 애니24추천 when I started drawing cartoons in March 1997. I figured it would be smart to consult with the top cartoonists in the country before beginning this “mystery project.” I was taken aback by the number of people who were eager to engage in conversation with me.
When I was young and naive, I didn’t know to worry about “the masters.” Consequently, I called Charles Schulz and spoke to him while asking him the five questions that reporters typically ask (Who, what, when, why, and where). As it turned out, his (and other people’s) recommendations were spot on. A “philosophy” of cartooning was beginning to form in my mind even though I had not yet begun my incredible adventure into the world of internet cartoon commerce.
So, what inspired Schulz to begin creating comics? He, like me, had exhausted all other options with little success. I inquired as to whether or not he thought this would be a profitable endeavor. I could “almost” “see” his grin through the phone line. He said it was abundant, but I shouldn’t seek it in the paper. As he explained to me, even click here if your work is syndicated, you’ll only earn a nickel or a dime for every newspaper. He also suggested selling branded goods like t-shirts, hats, coffee mugs, and so on if you’re serious about making a living from this. He told me that licensing brought in far more money than his book sales ever did.
I was honest with him about my drawing 무료만화 애니24추천 skills and expressed a desire to go out and try something unconventional. It was planned as a full-color cartoon with a realistic art style “I mentioned that I aimed for variety in style and tone among my cartoons while maintaining a consistent theme established through puns and visual jokes. The audience may require an extra second or two to really “understand it” sometimes.
If I didn’t think my work was “good enough,” Schulz advised, I should find an artist to draw my ideas, as roughly 20% of all newspaper cartoons are created by a “team” of an artist and a writer. He also advised that I familiarize myself with Walt Disney’s work, as the thing I was working on was essentially a “Disney model without animation.” His description of it as “Disney meets Gary Larson” was, to put it mildly, a high compliment.
Additionally, I spoke with cartoonists Deborah Rubin (Rubes), Dave Coverly (Rumble Strip), and Jon McPherson, all of whom create strips that are in the same vein as Gary Larson’s Far Side (Close To Home). Once again, I was impressed by how approachable they were. We hit it off and now regularly chat 일본만화 애니24추천 over the phone. As I was only getting started, he was already among the world’s top cartoonists. That wasn’t something that interested him at all. How helpful he was in finding a solution that fit my needs will always stick out in my mind.
Charles Schulz, who preferred to go by the nickname “Sparky,” was the same. Since a Schnauzer was his favorite breed of dog, we hit it off right away. For the most part, I “hang out” with people who share my passion for animals, and Schulz’s innate piercing humor was sometimes muted in “Peanuts” because it was aimed at family audiences. His manner of humor in person was reminiscent of Monty Python’s John Cleese and other British comedians I enjoy.
There was a common thread when it “cartooning philosophy among the greatest thinkers in history. To rephrase: “Sure, you need money to survive, but you shouldn’t give up your day job just yet. Only about one percent of the population engages in cartooning as their primary occupation. You need to be willing to try new things and have a genuine interest in making other people smile. Because the Internet was altering the “cartoon business,” you had to be adaptable.
This guidance ultimately proved to 애니24추천 커뮤니티 be quite helpful. When the Internet came along, everything shifted. Licensed items became the “key” to success, even more so than Sparky Schultz anticipated. The majority of my income comes from the sale of humorous merchandise, even though my cartoons have appeared in publications such as magazines, college textbooks, and websites all around the world. Those previous twelve years are a blur to me. Thanks to opportunities I’ve had the pleasure of working with some of the world’s most talented illustrators who have been able to take my words and turn them into visual works of art. When I consider what the great cartoonists have stated, I am reminded that this work is done out of love.
Although I am one of the fortunate few who has made a living from cartooning, I suspect that even if I wasn’t I would still be doing something creative, as I despise water cooler chatter and power connections that force me to perform the job I don’t enjoy or am not good at. If my work has improved the quality of life for even one person, or if my idea for a cartoon has resulted in the creation of even one job, then I can say to myself, “That was worth it.” Even if I didn’t end all suffering (as I had hoped to do in the ’60s), I’m hoping the world will be a slightly better place without me in it.